2018, Jun-
№12/37
№ 1/1
Next project: → Days of San
Previous project: ← Soft Incalculable Souls
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Skins & Feathers IX; I; II, 2018; Sun, 2018; Skins & Feathers III; X; VI; XI; VII; VIII, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Skins & Feathers IX; I; II, 2018; Sun, 2018; Skins & Feathers III; IV; V; X; VI; XI; VII; VIII, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Skins & Feathers IX; I; II, 2018; Sun, 2018; Skins & Feathers III; IV; V; X; VII, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Skins & Feathers IX; I; II, 2018; Sun, 2018; Skins & Feathers III; IV; V; X, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Skins & Feathers IX; I; II, 2018; Sun, 2018; Skins & Feathers III; IV; V; X; VI; XI, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Skins & Feathers I; II, 2018; Sun, 2018; Skins & Feathers III; IV; V; X, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Skins & Feathers I, 2018; Sun, 2018; Skins & Feathers II; III; IV; V; X; VI, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Skins & Feathers IX; I; II, 2018; Sun, 2018; Skins & Feathers III; IV; X; VI, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Skins & Feathers X; VI; XI; VII; VIII, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018. Skins & Feathers III, 2018; Sun, 2018. Detail. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018. Sun, 2018; Skins & Feathers II, 2018. Detail. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018. Sun, 2018; Skins & Feathers II, 2018. Detail. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018. Skins & Feathers IX, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018. Skins & Feathers VIII, 2018. Detail. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018. Skins & Feathers X 2018. Detail. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018. Skins & Feathers XI 2018. Detail. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Encephalogram I; III; II, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Encephalogram II, 2018. Photo: Nikos Alexopoulos
] Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Encephalogram III; V; IV, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Encephalogram V; IV, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Encephalogram V, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Encephalogram I; III, 2018. Photo: Nikos Alexopoulos
Lito Kattou, San, Point Centre for Contemporary Art 2018, Installation view. Encephalogram I, 2018. Photo: Nikos Alexopoulos
San Point Centre for Contemporary Art, NicosiaCurated by Attilia Fattori FranchiniMay 20 - Jun 20, 2018Developed over the course of the artist’s residency at the Google Cultural Institute in Paris, San, is a basic AI (artificial intelligence) created to embody an ecological subjectivity alien to human thoughts. The structuring data is collected from Red Lake, a mine site located near Nicosia, Cyprus, one of the fastest climatic changing regions of the South East Mediterranean zone. The lake is a remnant of the ancient copper mine of Kokkinopezoula in Mitsero, active from the Chalcolithic period until the 1960s. The high acidic environment of the lake does not allow any biological living organism to develop, leaving the surrounding area impervious.San, an ungendered AI hybridly conceived with human, divine, and animal traits lives in the Red Lake - recreated by Kattou as a real-time digital environment. Their [1] body and actions smartly respond to specific climatic variations such as temperature, humidity, visibility, wind speed and weather. San’s brain is built to guard and react to the Red Lake, they are imagined as a mythological figure protecting their unique surroundings. The exhibition San, at Point Centre for Contemporary Art, focuses on the character of this special guardian illustrating sculpturally their alien physical and mental traits, the fluidity and necessary adaptability of their post-human existence. Conceived to embody a specific natural environment, and condemned to a Sisyphean fate of a repetitive everydaylife, San is constructed to embrace the hard conditions of the territory.The show materialises current ecological concerns whilst confronting us with philosophical questions about the relationship man-machine and the complexity of the non human and post-human conditions.[1] In this text San and throughout the show is always referred to as they. This specific linguistic choice wishes to address in depth San’s multi-layered subjectivity rather than being a grammatical mistake.

